By Kirsten Beyer
An unique novel set within the universe of megastar Trek: Voyager from long island occasions bestselling writer Kirsten Beyer—and the sequel to Atonement and Acts of Contrition!
The complete Circle Fleet has resumed its unparalleled explorations of the Delta Quadrant and previous Borg house. Commander Liam O'Donnell of the U.S.S. Demeter makes a promising first touch with the Nihydron—humanoid extraterrestrial beings which are creditors of heritage. They hardly have interaction with the species they learn yet have created an immense database of diverse races, inhabited planets, and the present geopolitical panorama of a giant swath of the quadrant. while an alternate of information is proposed through a proper assembly, the Nihydron representatives are visibly shaken whilst Admiral Kathryn Janeway greets them. for nearly a century, neighborhood species—the Rilnar and the Zahl—have fought for keep an eye on of the within reach planet Sormana, with either side claiming it as their ancestral homeworld. The stunning half is that for the final numerous years, the Rilnar were gradually gaining floor, due to the strategies in their present commanding officer: a human lady, who seems to be none except Kathryn Janeway herself...
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Additional resources for A Pocket Full of Lies (Star Trek: Voyager)
An argument could be made to say that this should not be so, that science fiction in fact provides a great deal of what modern critics (say they) have long wanted. Consider for instance one further extended passage, this time from Kingsley Amis’ “alternate world” novel, The Alteration (1976). Amis’ novel is set in a twentieth century in which the Reformation never took place, and the Catholic Church has accordingly remained dominant across Europe (though not America). Near the start he describes the national shrine of this alternative England, St George’s Cathedral at Coverley, Oxford, centre of the English Empire: Apart from Wren’s magnificent dome, the most renowned of the sights to be seen was the vast Turner ceiling in commemoration of the Holy Victory, the fruit of four-and-ahalf years’ virtually uninterrupted work; there was nothing like it anywhere.
It is hard to know how to react to this imagined mosaic. It seems to say: (a) in the alternate world Hockney would have had no need to go into exile, (b) he would have been brought into the center of the culture instead of being marginalized, (c) he would have been a traditionalist not a rebel, and (d) his talents would have been recognized and enlisted for religious ends. So far so good. But (e), perhaps, his homoeroticism would have been suppressed, and (f), even more uncertainly, it would have broken out in yet another way, in portrayals of masculine beauty in a religious mode.
That is what Orwell wants them to do. (3) The narrator’s life-style is a drab one. Whether this fact should be related to his class status, whether drabness is a necessary part of “low mimesis,” these are precisely the themes of the novel (which says in short that they are all related but, very passionately, ought not to be). Just the same, the fact is there, in the “beastly” morning, the “dirty” sky, the “little” square of window, the “bare” patch of garden, the “bluntish” razor-blade, and so on.